October 24, 2010

Warhol copies Brillo, someone copies Warhol: Hijinks ensue!

Warhol_brillo

Over 100 of Andy Warhol's "Brillo Boxes" have been found to be "different" from others...
Yes it's a rather strong claim - The board avoids using words such as “fake” or “inauthentic” in its report, nor would it say whether or not it will stamp any boxes presented to it as “denied”, or revoke existing letters of opinion.

 

The short story:

Two series of boxes produced by Pontus Hultén, the founding director of the Moderna Museet in Stockholm, the Centre Pompidou in Paris and the Los Angeles Museum of Contemporary Art. Hultén claimed that Warhol authorised the production of the boxes for the seminal exhibition that Hultén curated in Stockholm in 1968.

But in 2007, the Swedish newspaper Expressen discovered that no wooden boxes had been displayed in the show and that cardboard boxes from the Brillo factory had been used instead. It set out to research the date and manufacture of Hultén’s boxes, many of which had entered the market.

Vitrine
Anyhow - the prices climb and climb and climb - are auctioned off (they had letters of authenticity and papers and important people saying they are real). Ten were sold through Christie’s shortly afterwards to a UK buyer for £475,650, who turned out to be the art dealer Anthony d’Offay.

Aw__brillo_boxes

The board now says there are two sets of Hultén-­produced boxes: a small number (about 10 to 15) made in 1968, straight after the show. The board refers to these as “Stockholm type boxes”. The rest, 105, were produced at Hultén’s request by carpenters for a 1990 exhibition in Russia. The board refers to these as “Malmö type boxes”.

Full story here at The Art Newspaper

BRILLO_2

October 20, 2010

Has the art market thawed? Frieze thinks so.

5081576167_1d4cb53b79photo above from Everyday Lifestyle

Just in case you don't have your finger on the pulse of the art world, here's the skinny.  There are a series of "Art Fairs" in major cities all over the world that take place annually or biannually.  Galleries apply and pay a substantial amount of money to rent a "stall", and in turn sell artwork to the public. These fairs are massive cultural meccas - full of art, talks, panel discussions, performances, awards, and contemporary musings on current educational platforms and art-making in general. In short, it's a total playground for new and emerging ideas and practices as well as established ideas and concepts.

5079153001_9b52803812 photo above from Everyday Lifestyle

Each year, thousands of collectors come in droves to these fairs - so smaller fairs have popped up around the bigger fairs and are populated by the galleries who were rejected from the bigger fairs, or simply didn't want to pay the premiums. These smaller fairs have leveled the playing ground somewhat, but there is a status symbol to being included in the big-deal fairs like Basel, The Armory, Frieze, Cologne,...

For example, the Frieze Art Fair takes place every October in Regent’s Park, London. The fair showcases new and established artists to an international audience (the complete list of exhibitors is here) over 170 galleries were exhibiting work this year, with miles and miles of labyrinth-like temporary walls studded with works - some hung so heavily that you wonder how the wall stays vertical.

5092542699_b50e00448d_b photo above from Visionet

There are more galleries than ever this year and a higher quality of applicants,' says Frieze co-founder Amanda Sharp, who, when she set up the annual art fair eight years ago, never in her wildest dreams thought it would become such a London blockbuster. (from Wallpaper magazine)

Stories like this one are not uncommon: "New business is what makes fairs worth it, otherwise we could just stay in our galleries and work on our shows,” said Rachel Lehmann (B13). The gallerist sold only to new clients, including Jennifer Steinkamp’s Orbit 8, 2010 (shown below) (all three editions plus the artist’s proof), for $55,000 each." (From TheArtNewspaper.com's article here)

1286654223_4f5ba118_iphone(above: Jennifer Steinkamp, Orbit 8, 2010)

Andreas Geiger at Sprüth Magers (B9) summed up the overall feeling: “People are acquiring, but there’s no more five-minute buying. The market has found a good pace, it’s not crazy, but it’s solid.” (The Art Newspaper)

But it's not all about selling - it's about seeing and learning. There are a series of talks and educational events, concerts and performances, and prizes awarded to Artists and Galleries. There are also a series of Artist Projects - including Jeffrey Vallance among others.

"The coveted Cartier Award is open to artists living outside of the UK, up to five years from graduating from an undergraduate or postgraduate degree or under thirty years of age. The Cartier Award is organized by Frieze Projects, sponsored by Cartier and presented in collaboration with Gasworks. The recipient of the prize will have the unique opportunity to present their work at Frieze Art Fair 2010, guaranteeing a major international audience. Additionally the prize will cover production costs of up to £10,000, an artist’s fee, per diems, travel expenses and a studio residency at Gasworks in London from August to October 2010." (from Art Knowledge News)

Bridget Riley was one of the featured "conversations" of the Frieze Art Fair, she spoke with Michael Bracewell about her lifetime of artmaking and development of her signature style. Many of the talks are available here as podcasts.

Riley_largeweb(above: Bridget Riley)

 

Enjoy!

October 02, 2010

Art + Design = Life

Handmade
(Etsy: ArgyleWhale)

When it comes to design, we forget that it is handmade, just in a different way.

Certainly this had some labor involved in its making.

NYT-chairs
(NYT Logo - made of chairs)

But design can be fun and lite (or light).

Beachball-lights

Design can be inspired from anywhere and anything.

Helen-of-tartlette-color-food

Ikea has put out a visually stunning cookbook (notcot.org) titled: Homemade is Best

Recipe1
Recipe2
Recipe3
Recipe4

Is this the future? Will everything be broken down into a global visual language?

Future

Which begs the question:

Good_infodesign_5501

Design + life = unexpected delights in everyday life
(blend of hand-made, mass-produced, creative applications)


Jpg_WELCOME_HOME_HD-d5483

Remember:

Everything is going to be alright

That goes for everyone. (below: Kumi Yamashita)

Kumi-yamashita-faces-swatches 

And anyone.
After all, this is our world.

Richard-galpin-2006_noosphere

(above: Richard Galpin, "Noosphere", 2006)

September 30, 2010

Sentry :: Andy Freeberg

1
I am totally digging this photographic series by Andy Freeberg, entitled "Sentry".  I don't know how many times I've walked into spaces like this - always with an over-sized, white reception desk, it seems - and had this same experience.  The top of a head, the absence of a "hello", and the feeling of an unnecessary disconnect.  Have you experienced this?  Share your thoughts and/or reactions to this series in the comments.

2
Artist's Statement:

It was an odd moment when I walked into that first gallery in Chelsea and saw a large white desk with a head poking up from the top edge of the computer screen. I took out my camera, carefully framing and exposing the scene, and the head never moved or took notice of my gaze. As I walked around that booming Chelsea neighborhood of art galleries, I began to notice a trend: at some of the biggest galleries there are giant entry desks, where the top of the head of the desk sitter is often the only other human presence. This leads me to wonder, in this digital world of email and instant messaging that supposedly makes us more connected, are we also setting up barriers to the simple eye to eye contact that affirms our humanity?

See the whole series here.  More pics after the jump.

Continue reading "Sentry :: Andy Freeberg" »

September 22, 2010

Murakami in the Wonderland of Versailles

Murakami-versailles-exhibition-1

Takashi Murakami has been around for a while bridging the gap between the low and high art, synthesizing the east and west influences, and producing the -kawaii- cute cartoon characters with bright colors and big smiles for his prints and paintings.

Next   Flower matango
 
 An exhibition, which has recently opened, by Takashi Murakami in the Chateau de Versailles, has joyful and witty pieces which contradict with the sophisticated and elegant rooms of Versailles. An earlier post  focused on the photoshop colors of the pictures from the exhibition.)

Chesirecat

Murakami sees himself like a Cheshire cat in this marvelous setting, wandering around the chateau with a grin on his face. Murakami explains:

Just as French people can find it hard to recreate in their minds an accurate image of the Samurai period, the history of this palace has become diminished for us in reality.
So it is probable that the Versailles of my imagination corresponds to an exaggeration and a transformation in my mind so that it has become a kind of completely separate and unreal world. That is what I have tried to depict in this exhibition.”

Alice-in-wonderland

The literary nonsense genre of the Alice in Wonderland summarizes the outline of this exhibition: a fantasy created by Murakami in a world of elegance, style and high art.

 

  

   

"Good Design"

Phonosuper_b

 

Media_httpwwwdailyiconnetmagazinewpcontentuploads200806low02dailyiconjpg_FnHFEEnuAIGvbdu.jpg.scaled500

201005177381KF 20 Coffee Machine by Dieter Rams 1972 Braun GmbH Koichi Okuwaki.

6a00d83451aae969e200e54f6d97668833-800wi

Rams4ae9b51a538fd

Iphone-calculator

German Industrial designer, Dieter Rams’ ten principles to “good design”-

Good design is innovative.
Good design makes a product useful.
Good design is aesthetic.
Good design makes a product understandable.
Good design is unobtrusive.
Good design is honest.
Good design is long-lasting.
Good design is thorough down to the last detail.
Good design is environmentally friendly.
Good design is as little design as possible.

Having worked as head of design at Braun for 30 years and also designing furniture for Vitsoe, his approach to "good design" continues today and has influenced many, including Apple.

Less and More, a retrospective of Rams' work was carried at The Design Museum in London 2007-2010.

~via dwell 



September 19, 2010

The Wexner Center for the Arts in Columbus Ohio, Mark Bradford, and me.

Happy Monday - Blog2Modern Readers,

I haven't had a chance to post an entry in a while, due to the fact that I am currently in Columbus, Ohio at the Wexner Center for the Arts (!!!)  I was invited (in August) to do a large-scale solo installation in the lobby area of the Deconstructivist gem, designed by Peter Eisenman - one of the New York Five.  (For you architects out there, you've probably seen the Wexner every contemporary Art History and Architecture book out there.)

(Below: Main façade of The Wexner Center for the Arts)
  **mainentrance

Thanks Wikipedia for summing up the mission of the Wexner and doing all my links for me:
"The Wexner Center for the Arts is The Ohio State University’s multidisciplinary, international laboratory for the exploration and advancement of contemporary art. Through exhibitions, screenings, performances, artist residencies, and educational programs, the Wexner Center acts as a forum where established and emerging artists can test ideas and where diverse audiences can participate in cultural experiences that enhance understanding of the art of our time. In its programs, the Wexner Center balances a commitment to experimentation with a commitment to traditions of innovation and affirms the university’s mission of education, research, and community service. The Wexner Center opened in November 1989, named in honor of the father of Limited Brands founder Leslie Wexner, who was a major donor to the Center."

Currently on view is Mark Bradford's mid-career retrospective.  They don't allow any photos in the galleries, but he did an installation in the lobby (below)

  IMG_0713


Bradford and his assistant projected his name onto the wall, traced it and then painstakingly removed portions of the wall, exposing the myriad of past colors that the wall has been painted.  This wall will be removed and will travel to each of the venues (
Institute of Contemporary Art in Boston, the Museum of Contemporary Art in Chicago, the Dallas Museum of Art, and the San Francisco Museum of Modern Art) following its debut at The Wexner Center for the Arts.  Bradford is a recent recipient of the MacArthur "Genius" Award. (new recipients to be announced September 28).  His show is on view at The Wexner until October 10.


 

My installation will run concurrently with the remainder of Mark Bradford's show as well as the next round of exhbitions titled Six Solos which will open in November and run through February. I'm particularly excited to be showing with Erwin Redl, who works with LED lights and will be outdoors on the grid-façade.  I absolutely adore his work. I'm also excited for the Tobias Putrih/MOS show too!

(below: Erwin Redl, "Flow" 2007)

ER_Flow_Berlin4

I am working directly with the lobby, which is known for its "floating column".

(below: Eisenman's "floating column")

  IMG_0652


We're still working on the installation, which was designed spontaneously on-site via 3D modeling software. Here are some teaser shots of my work in progress, title is still in the works.

Enjoy!

  Column-MG
Occuli-MG
*stairs-MG
*longshotcolumn-MG
  *uppercolumn-MG
*uppercolumns-MG
**e-wex-website


My website will have photos upon completion of the project. The installation opens on Tuesday, please come and see if you are in the Columbus Ohio area, or like to travel or drive.

This installation was inspired primarily by the supposed "death of print" and therefore, CMYK design. Thus my selection of cyan, yellow and magenta as my palette. The "off register" look of the striped walls was highly inspired by mis-printed cartoons, the printing process, mathematical progressions, the use of lines to create space, and the inherent translucency of the material, flagging tape. 

Oh, and "Go Bucks!"

And just in case you wanted some gift ideas - Check out this really rad CMYK inspired dishes and this neato pen "for designers" - I want all of the above!

September 14, 2010

Looking to the Past for Inspiration and Motivation

This weekend was spent participating in an annual family tradition that dates back long before anyone can remember.  The change of the season is marked by sudden cool snaps, shorter days, and a bountiful fall harvest.  Each fall in early September vine-ripened grapes make their journey from vineyards around the world to small produce markets where amateur and professional wine makers alike oggle at their beauty. 

Having finally participated in this tradition I can't help by recognize how the current economic and political climate has a lot of people looking towards traditions of the past. Many are looking to live a more simplistic life and learning to appreciate the small wonders around us. What could be more modern than that? 

Here are a few fun finds to get you in the mood to go and make your very own Vino della Famiglia. 

Modern_cellar

 Modern Cellar - CURIO Wine Server

Wine-01

MuNiMulA - Wine Tray 

Il_430xN.174599880

 Burlap Wine Bottle Bags

  

September 08, 2010

"You must know that hell exists because you already live in it"

http://s3.amazonaws.com/auteurs_production/post_images/535/TheAmerican-500-2.jpg?1276860479

Just saw The American. Engaging, great panoramic shots of the Apennines and Abruzzo region of Italy, not to mention frozen lakes in the blue fading light of a Swedish winter day. And George Clooney more uptight and nervous than you've ever seen him in any movie, always one eye over his shoulder, passable plot, and lots of suspense. Also featuring a charming and worldly Italian priest/emissary of God and a blonde cold hearted British murderess. Dark street lamp lit alleys and footsteps down dark cobbled medieval paths, creeps watching you from cars, it's no wonder George is nervous! No tech, just old world nuts and bolts spy/assassin craft! No ipads or ibooks just small pocketable berettas and bespoke sniper rifles! "I can run him down with my ipad!" We won't let you know if George makes it out of the hellish world he inhabits to live with his va-va-va-VOOM Italian prostitue! You'll just have to see the movie and find out for yourself!

September 04, 2010

Charting Information as Art

Informational drawings - please comment at blog2modern with more information or diagram info/links. I will post best of the links before Xmas/holiday breaktime. T minus. 3.5 months and counting, tick tock!








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